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Not Quite Hollywood: The Wild, Untold Story of Ozploitation!
''Not Quite Hollywood: The Wild, Untold Story of Ozploitation!'' is a 2008 Australian documentary film about the Australian New Wave of 1970s and '80s low-budget cinema. The film was written and directed by Mark Hartley, who interviewed over eighty Australian, American and British actors, directors, screenwriters and producers, including Quentin Tarantino, Brian Trenchard-Smith, Jamie Lee Curtis, Dennis Hopper, George Lazenby, George Miller, Barry Humphries, Stacy Keach and John Seale.
Hartley spent several years writing a detailed research document, which served to some degree as a script for the film, about the New Wave era of Australian cinema. It focused on the commonly overlooked "Ozploitation" films—mainly filled with sex, horror and violence—which critics and film historians considered vulgar and offensive, often excluded from Australia's "official film history". Hartley approached Quentin Tarantino, a longtime "Ozploitation" fan who had dedicated his 2003 film ''Kill Bill'' to the exploitation genre, and Tarantino agreed to help get the project off the ground. Hartley then spent an additional five years interviewing subjects and editing the combined 250 hours of interviews and original stock footage into a 100-minute film.
''Not Quite Hollywood'', which premiered at the 2008 Melbourne International Film Festival, did not perform well at the box office upon its Australia-wide release, but garnered universally positive reviews from critics and a nomination for "Best Documentary" at the 2008 Australian Film Institute Awards.
==Synopsis==
''Not Quite Hollywood'' documents the revival of Australian cinema during the Australian New Wave of the 1970s and '80s through B-movies including ''Alvin Purple'', ''Barry McKenzie Holds His Own'', ''Dead-End Drive In'', ''Long Weekend'', ''Mad Max'', ''The Man from Hong Kong'', ''Patrick'', ''Razorback'', ''Road Games'', ''Stork'' and ''Turkey Shoot''. From 1971 through to the late 1980s, Australian directors began to take advantage of the newly introduced R-rating which allowed more on-screen nudity, sex and violence for audiences restricted to age 18 and over.〔 〕 "Ozploitation"—writer-director Mark Hartley's own portmanteau of "Australian exploitation"—was a subgenre of the New Wave which accounted for the critically panned "gross-out comedies, sex romps, action and road movies, teen films, westerns, thrillers and horror films" of the era, commonly overlooked in Australia's "official film history". The film addresses three main categories of "Ozploitation" films: sex, horror and action.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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